Spitfire Audio – Spitfire Solo Strings
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What’s included
Individual articulations
Violin (Virtuoso)
- Violin (Virtuoso) – Long CS
- Violin (Virtuoso) – Long Flautando
- Violin (Virtuoso) – Long Harmonics
- Violin (Virtuoso) – Long Progressive Vib
- Violin (Virtuoso) – Long Sul Pont
- Violin (Virtuoso) – Long Tremolo
- Violin (Virtuoso) – Long
- Violin (Virtuoso) – Short Brushed Baroque CS
- Violin (Virtuoso) – Short Col Legno
- Violin (Virtuoso) – Short Harmonics
- Violin (Virtuoso) – Short Noise Staccatissimo
- Violin (Virtuoso) – Short Pizzicato
- Violin (Virtuoso) – Short Spiccato
- Violin (Virtuoso) – Short Staccato
- Violin (Virtuoso) – Trill (Major 2nd)
- Violin (Virtuoso) – Trill (Minor 2nd)
Violin (1st desk)
- Violin (1st Desk) – Long CS
- Violin (1st Desk) – Long Flautando
- Violin (1st Desk) – Long Harmonics
- Violin (1st Desk) – Long Progressive Vib
- Violin (1st Desk) – Long Tremolo
- Violin (1st Desk) – Long
- Violin (1st Desk) – Short Bartok Pizz
- Violin (1st Desk) – Short Brushed Baroque CS
- Violin (1st Desk) – Short Col Legno
- Violin (1st Desk) – Short Harmonics
- Violin (1st Desk) – Short Mandolin Pizzicato
- Violin (1st Desk) – Short Pizzicato
- Violin (1st Desk) – Short Spiccato
- Violin (1st Desk) – Short Staccato
- Violin (1st Desk) – Trill (Major 2nd)
- Violin (1st Desk) – Trill (Minor 2nd)
Violin (progressive)
- Violin (Progressive) – Long Col Legno Tratto
- Violin (Progressive) – Long CS
- Violin (Progressive) – Long Flautando
- Violin (Progressive) – Long Harmonics
- Violin (Progressive) – Long Progressive Vib
- Violin (Progressive) – Long Sul Pont
- Violin (Progressive) – Long Super Sul Tasto
- Violin (Progressive) – Long Tremolo
- Violin (Progressive) – Long
- Violin (Progressive) – Short Bartok Pizzicato
- Violin (Progressive) – Short Brushed Baroque CS
- Violin (Progressive) – Short Col Legno Pencil
- Violin (Progressive) – Short Col Legno
- Violin (Progressive) – Short Harmonics
- Violin (Progressive) – Short Mandolin Pizzicato
- Violin (Progressive) – Short Paganini
- Violin (Progressive) – Short Pizzicato
- Violin (Progressive) – Short Spiccato CS
- Violin (Progressive) – Short Spiccato
- Violin (Progressive) – Short Staccato
- Violin (Progressive) – Short Super Sul Tasto
- Violin (Progressive) – Tremolo Harmonics
- Violin (Progressive) – Tremolo Whispers
- Violin (Progressive) – Trill (Major 2nd)
- Violin (Progressive) – Trill (Minor 2nd)
Viola
- Viola – Long CS
- Viola – Long Harmonics
- Viola – Long Progressive Vib
- Viola – Long Sul Pont
- Viola – Long Tremolo
- Viola – Long
- Viola – Short Bartok Pizzicato
- Viola – Short Brushed Baroque CS
- Viola – Short Col Legno
- Viola – Short Harmonics
- Viola – Short Mandolin Pizzicato
- Viola – Short Noise Staccatissimo
- Viola – Short Pizzicato
- Viola – Short Spiccato
- Viola – Short Staccato
- Viola – Trill (Major 2nd)
- Viola – Trill (Minor 2nd)
Cello
- Cello – Long CS
- Cello – Long Flautando
- Cello – Long Harmonics
- Cello – Long Progressive Vib
- Cello – Long Sul Pont
- Cello – Long Tremolo
- Cello – Long
- Cello – Short Bartok Pizzicato
- Cello – Short Brushed Baroque CS
- Cello – Short Col Legno
- Cello – Short Harmonics
- Cello – Short Noise Staccatissimo
- Cello – Short Pizzicato
- Cello – Short Spiccato
- Cello – Short Staccato
- Cello – Trill (Major 2nd)
- Cello – Trill (Minor 2nd)
Bass
- Bass – Long Flautando
- Bass – Long Harmonics
- Bass – Long Progressive Vib
- Bass – Long Sul Pont
- Bass – Long Tremolo
- Bass – Long
- Bass – Short Bartok Pizzicato
- Bass – Short Brushed Baroque CS
- Bass – Short Col Legno
- Bass – Short Harmonics
- Bass – Short Pizzicato Undamped
- Bass – Short Pizzicato
- Bass – Short Spiccato
- Bass – Short Staccato
- Bass – Trill (Major 2nd)
- Bass – Trill (Minor 2nd)
Legato patches
Violin (1st desk) – legato
- Portamento
- Fingered
- Bowed
Viola – legato
- Portamento
- Fingered
- Bowed
Cello – legato
- Portamento
- Fingered
- Bowed
Solo Violin (Virtuoso) Total Performance
- Fingered Legato
- Bowed Legato
- Portamento Legato
- Runs
- Arpeggios
- Spiccato
- Staccato
- Tremolo
- Trills
- Molto vibrato
- Progressive vibrato
- Non vibrato
Solo Cello Total Performance
- Fingered Legato
- Bowed Legato
- Portamento Legato
- Runs
- Arpeggios
- Spiccato
- Staccato
- Tremolo
- Trills
- Pizzicato
- Bartok pizzicato
- Molto vibrato
- Progressive vibrato
- Non vibrato
Other patches
- Violin (Virtuoso) – Economic
- Violin (Virtuoso) – Light resources
- Violin (Virtuoso) – Time Machine
- Violin (Virtuoso) – Total Performance
- Violin (1st Desk) – Economic
- Violin (1st Desk) – Light resources
- Violin (1st Desk) – Time Machine
- Violin (Progressive) – Economic
- Violin (Progressive) – Extra techniques
- Violin (Progressive) – Light resources
- Violin (Progressive) – Time Machine
- Viola – Economic
- Viola – Light resources
- Viola – Time Machine
- Cello – Economic
- Cello – Light resources
- Cello – Time Machine
- Bass – Economic
- Bass – Light resources
- Bass – Time Machine
Mics
- C(lose)
- T(ree)
- A(mbient)
Each contains all of the techniques you need to create a realistic solo performance, including five different types of true legato — fingered legato, bowed legato and portamento legato, runs and arpeggios. They also feature spiccato, staccato, tremolo, trills, molto vibrato, progressive vibrato and non vibrato (as well as pizzicato and Bartok pizzicato for cello) — all combined together to enable musical phrasing without the need for key-switching, and programmed to react to playing speed and touch. Easy to play and ultra intuitive, these instruments allow you to focus entirely on your composition, without the need to ‘stitch’ together performances.
The overview panel
This is the main interface for melodic instruments. Its default view displays all available playing techniques, has a simple microphone mixer and includes the main feature controllers.
The Ostinatum
In this view you can add notes to a pattern sequencer, select which key it triggers on and then play for instant ostinato creation. It’s like an arpeggiator on a synthesiser.
General controls panel
This view allows further in-depth control of the instrument, showing all available signals and feature controllers, as well as the ability to purge techniques from memory to reduce system usage.
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